My painting is characterised by materiality, tension, and a deep engagement with the process of painting itself. My work emerges from memory, perception, and lived experience. Rather than telling a specific story, my paintings create spaces in which inner states, tension, contradiction, and personal associations can unfold.

Working primarily with oil paint, alongside ink, oil sticks, and charcoal, I develop surfaces of strong material presence. Layers are built, reworked, and accumulated over time. The traces of this process remain visible, lending the works their particular intensity. Materiality itself becomes a carrier of meaning.

At the core of my practice lies painting as a continuous negotiation between control and surrender, density and dissolution, tension and stillness. Through an ongoing struggle with the surface, works emerge in which aggression and vulnerability coexist, as do chaos and order. Forms appear, transform, and dissolve again. The painting remains an open site of searching and becoming.

My work does not seek to describe experience, but to embody its emotional residue. Remaining intentionally open, my paintings invite viewers to engage with traces of transformation, resistance, and human experience through their own memories, perceptions, and associations.